Statement
ANTI ART FILM : ACID FILM MANIFESTO
ACID FILM MANIFESTO
WRITTEN BY
AMERICAN VIDEO ARTIST
BIRTHDAY GURL
LAURA GRACE ROBLES
ANTI FILM MAKER
An Acid film is a non narrative translation of moving imagery manifested within the discovery behind the avant-garde cinematic abstraction of experimental ANTI FILM aesthetics
AN ACID FILM CANNOT BE ENTIRELY BLACK OR WHITEIt must be artificial
An Acid film must escape the real world and challenge ideas of what human identity cannot be with the psychedelic
Acid films alter the cognitive psychological state of the mind by psychedelic psychosis of the subliminal and the circus of escalating colors in development
acid film aims to depict visual poetry built upon an interesting form of non film ideals of continuity as the moving painting experienced in the acid anti film show
Acid film is a distortion of multiple moving paintings combined that have been constructed by a game playing of concepts that render abstract expressionism within the designs made by your computer from a countless fashion of multiplicity where non film cannot be recreated the same way twice as it creates the impossible
Acid films are known to test ones attention span and emotional state through a meditative process of chromatic catharsis from mood investigation not associated with a timeline of story telling but through parallels of metric chaos and colored metaphors by which a counterpoise of new lyrical dimension of analogous gesture in motion melting into the subliminal shape of illusion beyond dreamy spaces
Acid film always becomes something it is and something its not
Acid film is anti art art film
Acid film is acid film that entails imagery in combination with the non realistic paradox of non reality non film constructed by the additive process of anti art film making techniques built from within the deeper meaning of nostalgia and far past the true meaning of dreams possibly an acid dream simulation of mind expansion 
acid films must be an immortal infinite loop of esoteric and arbitrary circumstance conceptualized by man’s broken philosophy of film as an undefined junk film aesthetic
Acid film is a never ending cinematic art
Acid film making is typically not considered a conventional form of film making but rather an anti film acid show phenomenon based on the impossible

nor does Acid film represent film by film's definition but rather it is defined by the paradox or contradiction of film concepts that aim to elucidate standards of man’s unexplainable mystic frequency that determine what film actually and truly is or what it can and cannot be according to film democracy
Acid films may at most times supersede the camera
Acid film is Anti-Art film which is made up of film making mistakes that are beautiful
what is perfect about acid film is that it is an imperfect vision of beauty and perfect vision of anti-beauty that is an imperfect perfection of anti film
Acid film should not be determined by these writings alone acid film should evolve or devolve into much more than any vision of true non reality in a non objective world where human identity can be lost by imagining the non human