Acid film manifesto
ACID FILM MANIFESTO
AMERICAN VIDEO ARTIST
LAURA GRACE ROBLES
An Acid film is a non narrative translation of moving imagery manifested within the discovery behind the avant-garde cinematic abstraction of ANTI-FILM aesthetics
IT'S designs of non representational and non objective subject matter STEM from the invisible lens of the non human eye
AN ACID FILM CANNOT BE ENTIRELY BLACK OR WHITE It must be artificial
An Acid film must escape the real world and challenge ideas of what escaping human identity can be as a moving design.
Acid films alter the cognitive psychological state of the mind by the psychedelic psychosis of the sub conscience and subliminal.
Acid films must depict a circus of escalating chaos of rapidly moving multi-colors in development of patterns.
acid film aims to depict visual poetry built upon an interesting form of non film ideals and concepts by starting out to say continuity is wrong and moving paintings are right.
Acid films allow you to experience the film phenomenon that defines film as nothing real outside of digital reality.
Acid film is a distortion of multiple moving paintings that have been masked to construct a rendering of abstract expressionism with computer art painting.
Acid film is a continuous, lyrical, countless fashion of rare and colorful moving compositions that cannot be recreated the same way twice as it is created to be the impossible over and over again.
Acid films are known to test ones attention span and through meditative process of emotional catharsis, mood expression and metal investigation are encouraged.
Acid films are not associated with a timeline of story telling but with parallels of the universe.
Acid film depicts dreamscapes among the unknown without revealing the real world or mankind.
Acid film is anti-art film
Acid film is film that entails non representational imagery in combination with the non realistic paradox of film contradictions.
Acid film is non reality film which designates non-film to be constructed within the additive process of anti-art film making techniques built upon a deeper meaning of broken nostalgia always experienced as something of the present.
There are no real stories to be told in an Acid film
Acid films have no beginning middle or end that determine when the anti- film starts and ends it relies on the death of the audience before it determines the end
Acid films portray a junk film aesthetic
Acid film should be presented as a looped sequence of moving imagery so that it is never-ending video art
Acid film making is typically not considered a conventional form of film making but rather an anti-film making phenomenon based on the impossible
Nor does Acid film represent film by film's definition but rather it is defined by the paradox or contradiction of film concepts that aim to elucidate standards of man’s unexplainable mystic frequency that determine what film actually and truly is or what it can and cannot be according to film democracy
Acid films may at most times supersede the camera
what is perfect about acid film is that it is an imperfect vision of beauty and a perfect vision of anti-beauty that is an imperfect perfection of anti-film making.
WELL I CAN'T SPEAK FOR ALL FILM MAKERS BUT THOSE WHO DO PRACTICE STUDYING THE SPELL BEHIND PERFORMING MAY BE CHALLENGED WITH THE UNINTENTIONAL OR INTENTIONAL CONFUSION OF HAPPEN STANCE AND IMPULSE IGNORING THE SCRIPT. FROM THE DELIVERY OF ACTIONS BY REAL ACTORS OR STREET SUPER STARS WHO FAKE WHATS FAKE WITH MOCK PERFORMANCE OR WITHOUT REALIZING IT. SO TO DECONSTRUCT THAT I COULD SEE MANY EXPERIMENTAL FILMS BEING MOSTLY MINIMAL OR DISSECTIONS OF EPIC FILMS THAT ARE CONCEPT BASED TESTING THE ATTENTION SPAN.