FAKE MOCKUMENTARY An Anti-Art Art- JUNK FILM AESTHETIC
JESUS PRACTICE A FAKE MOCKUMENTARY FILM BLURRING STYLIZED DOCUMENTARY AND VIDEO ART dir:BY BIRTHDAY GURL VIDEO ARTIST
May 17th 2015 Sunday 10:17AM
San Antonio, TX United States
dear acid junk film diary
Here mistakes are perfect and beautiful and beauty is found within the ugliness and koas of junk film aesthetics, the dada evolution of junk aesthetics found in film across the qoutendatent subjects coated without traditional story telling. The DIY junk film street culture that compiles punk cinema AMONG the PINK 8 styleS of film genre KNOWN as junk film and its aesthetic coined by Birthday Gurl (Laura Grace Robles) writer director and video artist in her Junk Film and fake Mockumentary film making manifestos. Birthday Gurl, directing various films such as Jesus Practice , Nigga Booty Nights and Foxy Balls Donkey Sugar among others. Jesus Practice a
silent 42 min guerrilla film
and obstructed by a fake mockumentary manifesto. A fake character played by a real actor performing mock performance by blurring the lines among real acting and performance art. Jesus Lee Lane Mc Berrnin Mc Bee the protagonist is played by Sam Mandelbaum the actor who gender role plays a cross dresser named after the jewish son of god on a divine archetypal reference of christian symbolism. Jesus traveling on a quest for identity the blessed is the reborn jesus lee lane mc bernnin mc
b bisexual christ
from one cue to the next each object allowed sam to improvise a sequence of actions where his
performance of sustainment was actions testing the body’s endurance as a performance artist. During the nude performance in public space the actor nominates the vicious fittings of fixed pork props out of rotten bananas, a bottle of pills, and counterfeit cash. A recess by which the challenge of the film making process was diagnosed by the continuous rolling of the camera on the set a mandatory factor of the film making process and no interruptions or cuts just one take would determine the entire film. while sam had no idea he would become the mentally ill the highly concerned androgynous young who was
actually the artist in the film.
the anti-thesis of rejected
autonomy as the solace christ
sister child and ego desperate would be seeking its altered realty of the fake the real and the unreal which realistically cannot be portrayed by a real actors lack of dialogue but without preparation to confront an imaginary lonesome as the socially alienated curious bi-
Sam Mandelbaum the actor confronts his subconscious with gender role playing the super romantic Disappearance of the male porn star who played Jesus
Lee Lane Mc Berrnin Mc Bee.
tucked away in
rundown suburbia chain smoking
as domesticatedly as a perfect
sensuality of odd sex drama outside in his front yard could by calling him to wander an encapsulated time
jesus imagines he can synthesize-the male and female image when in actuality he explores transgender symptoms of having no gender as a fruitarian in a parallel reality between the time among the future repletion among the past and the essence of the present time in what is as nostalgic as the now that dictates
a dream state of vividness.
possibilities wonderfully existing among the cocktails of societal
boundaries jesus fails to accept his mothers prized refried funkshway thinking with the mind of his own real self nutted one eyed woman experimenting with grannies moth ball rented wigs and vintage dress.
Jesus Practice questions revolving conversations between christian rebellion to find the misunderstandings of biblical text and biblical text that is confronted by self worth measured by either
homosexuality or family values
Jesus socially declines his lost self from social anxiety keeping busy with bare lesbian irrational
OCD tactics brushing his teeth in
bed in machismo chin and butt cheek day dreaming routine starring at himself gazing into the mirror holding broken glass to help the ripping through the zipper of his torn grandmothers
big foot peels one out inside a banana and off jewish hands Jesus wraps reynolds around his body the canvas, a paint brush goes missing for egg nog doodle doodle cock to attention that any cook will smoke crack if you lived naked everyday of your life like the jewish son of god an almighty excuse for Jesus cursed with the
name of christ
the melody a one eyed female scarecrow playing couldn't actually play the electric guitar for
Jesus outdoors so
easily jesus looses time reacting randomly to his disorganized cell count but he is not so distracted that the vaccine for becoming a famous porn star doesn't advance his naked ass crack habit for female scare crow dolls was stroking his meat in poured pink paint covering his entire body by unmet sexual desires
within the nonnative story.
the secret voices into the open ends of the music is unflinching and illiquid in an avant grade playing of the organ with filters
and effects used to manipulate
the lo fi mood
the jewish son of god mc b lee lee lane jesus mic b mic b recalls strumming to help his one eyed bride to be in a day dream of distortion to his percussion which serenades the female scare crow using a twig and fraud
ringlet to play the drums outside
Just before Jesus detaches his last wet spun wet Micky b mc b little lee chomps a spit lane to rain on her bookay over millions of galaxies of spitting foam fractions helping himself to a velvet goldmine across the face spray painted with premium poe
boy open cake
jesus discos his penmanship to amuse a blind K9 bent over again for a tree part to fit an undeviating trash object for drum sticks to satisfy the almost
on the pink leaking bismol paint spills over a water base of pink hue and a dark interior where masturbation that continues to the action in order to perform not orgasm leaves BBQ JESUS without
like a mechanical walking robot boy the Christ son of god is hallucinating away from whatever his very own christian
mother cursed him with by
naming him Jesus
Christmas starlights holding freshly painted genitals and a one eyed Jesus monster dragging along the crack of his wheels celebrating his long awaited one eye separation from nutted
naggers as a gay experiment.
Interview with the VIDEO ARTIST
Dexter Mock Duck: How has your style evolved?
Dexter Mock Duck:How are you confronted by film language?
Laura Grace Robles:A fake mockumentary is a dream.
This, make believe two-way rendezvous happening on the camera’s other side is a surreal webcam addiction debauchery of hypnosis in the demon’s hour dream state.
From FOXY's subconscious memory her video diary archive replays a cyber fantasy of tantalizing behaviors that haunt her just as much as rotten bananas making the archive and her prince charming invisible.
The Night Rocker is chased by a nightmare of paranoia built up by her delusions of grandeur where living a life preoccupied by insanity from staring back at herself in a two -way mirror at all hours from dusk up until just before dawn is just not a good enough reason to keep her a quiet noise video moaner.
This curing process includes one major phase: (1) An online conversion of the video diary streaming of the noise moans into databases of auditory experiments including the objects video callers request that day such as a plastic toy Tierra, smokes, and lipstick.
This thirty eight minuet and two second junk film shows an intuitive approach the video artist takes to improvising unintentional body endurance or time a body’s unpredictable actions that sustain otherwise as the performer of art and actor exceeding one’s unintended body limits in a dance of silenced chatty head drama displays mock performance by smearing the lines between performance art and acting breaks the artist free from narrative.